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. Rating 187 Votes. Countries Hungary, Canada. directed by François Girard. The Song of Names is a movie starring Clive Owen, Tim Roth, and Jonah Hauer-King. Several years after his childhood friend, a violin prodigy, disappears on the eve of his first solo concert, an Englishman travels throughout Europe. Actor Jonah Hauer-King.
When I am afraid, I put my trust in you. In God, whose word I praise— in God, I trust and am not afraid. What can mere mortals do to me. Psalm 56: 3 - 4. With the way this world is going, we need a movie just like this. RIP Mr. Rogers. You'll be missed always. Find the best for your family See what's streaming, limit strong violence or language, and find picks your kids will love with Common Sense Media Plus. Join now Touching but slow mystery/drama about impact of Holocaust. Get it now Searching for streaming and purchasing options. Common Sense is a nonprofit organization. Your purchase helps us remain independent and ad-free. Get it now on Searching for streaming and purchasing options. Your purchase helps us remain independent and ad-free. X of Y We think this movie stands out for: A lot or a little? The parents' guide to what's in this movie. Priorities shift when we're faced with a traumatic event; we don't all process grief and loss the same way. Perseverance is a theme. Positive Role Models & Representations Film is steeped in Jewish culture, traditions, rituals. On brink of WWII, a British family takes in a musically gifted Jewish Polish boy and treats him like their own. Preteen boys steal with glee and justification. One character expresses his anger by punching another in the face. Depiction of the Blitz, with Londoners joined together in shelters during an air raid. The arm of a dead body is seen protruding from rubble of a bombed home. The term "getting laid" is used and is an important plot point, but there's no visual image of that whatsoever. Boys look at playing cards illustrated with drawings of naked women. "Crap" is said several times. Also one use of "bastard. plus "stupid. t-ts. and "f- king" as an adjective. Drinking, Drugs & Smoking Smoking. Wine consumed during reflective moments. Character jokes that, to relax before a stressful event, he's going to get drunk. What parents need to know Parents need to know that The Song of Names is a somber drama about remembrance set in an environment of classical music and against the backdrop of World War II. The story jumps between three different timelines, one of which centers on the two main characters as preteen boys, who are shown stealing with both glee and justification. Characters drink, and. as the film takes place from 1939 to 1986. they also smoke. Other than one use of "f- k. swearing is mild ( crap. bastard. WWII is part of the plot; Londoners huddle in shelters during a Blitz air raid, and the arm of a dead body is seen protruding from the rubble of a bombed home. A main character vents his anger by punching a man in the face. While it may be difficult for teens to grasp the nuances of the adult characters' decisions, the film is touching and presents some beautiful ideas about loss, grief, trauma, and perseverance. And it thoughtfully showcases Jewish culture, including rituals, traditions, and history. Stay up to date on new reviews. Get full reviews, ratings, and advice delivered weekly to your inbox. Subscribe User Reviews There aren't any reviews yet. Be the first to review this title. What's the story? Adapted from the Norman Lebrecht novel, THE SONG OF NAMES is about Dovidl, a Jewish child and violin virtuoso whose Polish father leaves him in the care of an affluent London family at the beginning of World War II. A decade later, Dovidl disappears on the night of his most important concert. Thirty-five years later, his foster brother, Martin ( Tim Roth) finds a clue that Dovidl may be alive, so he starts searching for his beloved friend. as well as much needed answers. Is it any good? This film is heartfelt and touching, but it isn't necessarily moving. That's not necessarily a bad thing (not everyone really wants a good cry) and the movie does manage to extend understanding. While films remembering the Holocaust aren't unusual, those that show us how the pain of that loss of life manifests in an individual person are far more unusual. We meet Dovidl (called "David" as a child (played at this age by Luke Doyle) whose father makes an impossible decision out of love and sacrifice. As the war wages, David doesn't know whether his Jewish family is dead or alive, and The Song of Names plays out the kind of behavior that can result from that kind of psychological unrest. After David's disappearance, Martin feels a similar unrest because he doesn't know what happened to David. Unfortunately, when Martin eventually does learn the truth, he doesn't seem to be satisfied. a feeling most viewers will second. The film's complex storyline, which jumps back and forth between multiple timeframes, falls victim to the usual book-adaptation trap: There's just too much to condense into two hours to do the story justice. As it stands, it's hard to get attached to either David or Martin, even though the talent of the young actors who play them as children is outstanding and their scenes are the most engaging. As young Martin, newcomer Misha Handley very effectively transmits the jealousy a child would feel toward an interloper suddenly added to his life. taking over half his bedroom and most of his father's attention. But he soon embraces David as a friend, brother, and fellow mischief maker. The matters that relate to the movie's title are profound, but it's hard to appreciate the direction David takes with his transformative experience. At the last minute, we're informed that David may be sympathetic, but he's never been a great guy; that type of complex, highly flawed character plays well in books, but in movies, we wonder why we've spent two hours tracking down a man who we're told was never worth our time. Talk to your kids about... Families can talk about survivor's guilt and its role in The Song of Names. What does that term mean, and what impact does it have in The Song of Names? Does the film make you feel sympathy, empathy, or compassion for David? What's the difference? What do you think of how the film depicts Martin's curiosity and perseverance and the self-control exerted by David as an adult? Do you agree with how they applied these traits and skills? What do you think life might have been like for a kid in WWII-era London? What do you know about the war? How does this film compare to other movies about that time? How does the movie depict Orthodox Judaism? Do you think David's decision on how to live his adult life was warranted? Can you think of other movies that depict this aspect of Judaism? Why is representation important? What are some examples of behavior that Martin and David engage in that we might now deem as unacceptable? Does the film justify that behavior? Do you think it's OK in this context? Movie details In theaters: December 25, 2019 Cast: Tim Roth, Clive Owen, Misha Handley Director: Francois Girard Studio: Sony Pictures Classics Genre: Drama Topics: Book Characters, Brothers and Sisters, Friendship, History Character Strengths: Perseverance Run time: 113 minutes MPAA rating: PG-13 MPAA explanation: some strong language, brief sexual material, thematic elements, and smoking Last updated: January 13, 2020 Character Strengths Themes & Topics Brothers and Sisters See all Our editors recommend Romantic folk tale retold with music and classic Streisand. Powerful true story of a Jewish pianist has brutal violence. Tragic post-WWII tale has violence, death, and cursing. Holocaust drama sensitive, but never sentimental. Wrenching Holocaust fable with bittersweet humor. Common Sense Media's unbiased ratings are created by expert reviewers and aren't influenced by the product's creators or by any of our funders, affiliates, or partners. 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What a lovely song in the background 👌🏼👌🏼.
"The Name Game" Single by Shirley Ellis from the album The Name Game Released 1964 Genre R&B, novelty Length 2: 39 single version 4:39 album cut Label Congress Songwriter(s) Shirley Ellis Lincoln Chase Producer(s) Charles Calello " The Name Game " is an American pop song written and performed by Shirley Ellis [1] as a rhyming game that creates variations on a person's name. [2] History [ edit] It was written by American singer Shirley Ellis with Lincoln Chase, and Ellis's recording, produced by Charles Calello, was released in late 1964 as "The Name Game. That record went to number 3 on the Billboard Hot 100, and number 4 on the magazine's R&B charts in 1965. The record was re-released in 1966 and again in 1973. While Ellis' stock in trade was novelty hits, she was not a one-hit wonder. A serious R&B singer for 10 years before that hit, Ellis also charted with "The Clapping Song (Clap Pat Clap Slap. 8 pop and #16 R&B) and "The Nitty Gritty. 8 on the Hot 100 and #4 on the Cash Box R&B chart. Ellis performed "The Name Game" on major television programs of the day, including Hullabaloo, American Bandstand and The Merv Griffin Show. The song later became a popular children's singalong. [2] The Name Game" has been recorded by dozens of recording artists in the years since, notably Laura Branigan, whose version produced by Jeff Lorber, appearing on her 1987 album Touch, features a classroom of third-grade schoolchildren singing along to the tongue-twisting game. Often covered by relative unknowns on collections of songs for children, other cover versions have been recorded by artists as diverse (and campy) as Dean Ford and the Gaylords (1965) Divine (1980) and Soupy Sales (1965. The Brazilian singer Xuxa recorded a song using the same play and same sample in the song "Jogo da Rima. In 1965, singer Olivia Molina recorded a Spanish version, Juego De Palabras. In 1975, Anne Renée recorded "Un jeu d'fou" in French. In 1982, Stacy Lattisaw took her "rap" recording of "Attack of the Name Game" to #70 on the Hot 100. In 1990, Cree Summer Francks (as Elmyra) performed a cover version of the song on an episode of Tiny Toon Adventures using the Tiny Toons' names (except Plucky Duck's, as pointed out in that episode's end credits. In 1993, this song was used in television commercials for Little Caesar's Pizza 's kids meals with free toy, performed by The Little Caesars, sequeling the "Wooly Bully" commercials from 1992. Stacy's version was sampled by Mariah Carey on her 1999 single " Heartbreaker. from her album Rainbow. Character Sister Jude ( Jessica Lange) sang her version of the song in season 2 episode 10 "The Name Game" of American Horror Story. Sheldon Cooper in Season 9 Episode 21 briefly sings "The Name Game" in The Big Bang Theory. Ellis told Melody Maker magazine that the song was based on a game she played as a child. [2] On May 3, 2017 Howard Stern stated that he sings this song to young children, and calls it "his secret weapon" saying "it not only comforts them, it also distracts them from [his] unsightly features. 3] Rules [ edit] Using the name Katie as an example, the song follows this pattern: Katie, Katie, bo-batie, Bonana-fanna fo-fatie Fee fi mo-matie Katie! A verse can be created for any name with stress on the first syllable, with X as the name and Y as the name without the first consonant sound (if it begins with a consonant) as follows: X. X) bo-b ( Y) Bonana-fanna fo-f ( Y) Fee fi mo-m ( Y) X) And if the name starts with a b, f, or m, that sound simply is not repeated. For example: Billy becomes "Billy Billy bo-illy. Fred becomes "bonana fanna fo-red. Marsha becomes "fee fi mo-arsha. 2] The song gives no indication of what to do with names where the stress falls on a syllable after the first, like Renee, Maria, or Lebron. See also [ edit] 1964 in music Nursery rhyme Swinging the Alphabet References [ edit.
When does this come out. Oh, Laura Dern's in it. Okay, I'll watch it. Love this movie! I recommend it. Ethan/baby girl did a great job acting ❤️.
' The most important qualification for every leader is not wanting to be leader
Tom hanks is perfect for this role. Finally, the best casting choice in Hollywood History: Jonathan Pryce as Pope Francis. & It's end of year 2019. Nobodys called me precious in a long time and I got emotional hearing it from a movie trailer. This has to be one of the best trailer I've seen in a while. Seen this trailer at the theater. Into WW2 films already. So I will def., see this. But if I weren't into WW2 films already, the cinematography was breathtaking, I'd go simply for that alone. FINALLY A MOVIE SO DIFFERENT FROM THE MAINSTREAM CROWD AND UNIQUE IN ITS ART. I AM GOING TO WATCH THIS.
Such terrific cinematography. Critics are saying this is Malick's best since The Tree of Life
Yes, this is a wonderful and memorable film. The director, Francois Girard, and, I suspect, the same Canadian production company were involved in the 1998 RED VIOLIN. Like that film it takes place over multiple time periods, in this film clearly stated to be 1951, 1986, and the earliest, unidentified time which can be inferred to be sometime between March and September 1939. The scene shifts back and forth a good deal and some critics found this confusing and destructive of continuity but I found no difficulty in following the story line. Memory is not linear and orderly but rather fragmented and out of sequence, particularly when dealing with highly charged emotionally traumatic experiences. This is an exceptionally intelligent screenplay where not everything has to be spelled out. It's true that a key plot point mystery is fairly predictable. Yet the story builds to a wrenching climax in a way you don't see every day in the movies.
Tim Roth plays well against type as a quiet, introspective Brit. The score composer, Howard Shore, was involved in composing the impressive music in the Lord of the Rings and does an award-deserving job here. I rate the film at 3.5/4 stars. Strongly recommended for everybody, especially any serious music student as well as anyone of Jewish background, particularly of GenX through to Millennials.
He ate the Body of Christ, with a nice chianti. THE SONG OF NAMES (François Girard. 113 minutes. Some subtitles. Opens Wednesday (December 25. See listing. Rating: NN Almost entirely overlooked when it premiered at TIFF earlier this fall, The Song Of Names is a maudlin melodrama about lives lived in the shadow of the Holocaust. Its professionally made and it features some talented actors, but from the very first frames its an empty box, a movie made in the style of other, more prestigious works that drifts along in their wake, never finding a life of its own. The Song Of Names is not unlike half a dozen other projects Robert Lantos has produced over the decades – among them István Szabós Sunshine, Jeremy Podeswas Fugitive Pieces and Atom Egoyans Remember. This one – adapted from Norman Lebrechts novel about one Englishmans decades-long search for the vanished Polish violin prodigy he knew when they were boys in Blitz-era London – is one of the weakest: a leaden, self-serious affair that uses the horrors of history to burnish its own importance. François Girard, who established his musical bona fides with Thirty-Two Short Films About Glenn Gould and The Red Violin back in the 90s, is operating on autopilot here, letting Howard Shores score do all the emotional work while his cast – among them Tim Roth, Clive Owen, Jonah Hauer-King, Gerran Howell, Luke Doyle and Misha Handley – march glumly through predetermined trajectories in a chronologically shuffled narrative. The story, which spreads itself across half a century and multiple countries may appear ambitious, but it really just boils down to the same empty conversations about faith and responsibility between two people who never fully understand each other. I found myself wondering whether the emotions would land harder if The Song Of Names had approached its narrative from the perspective of the Englishmans wife. Catherine McCormack gives the character such interesting, prickly contours that she commands our attention whenever she appears on screen. The film doesnt really care about her, but she puts in the work anyway. At least someone is trying. @normwilner.
Average rating 3. 59 1, 057 ratings 82 reviews, Start your review of The Song of Names Norman Lebrecht was already established as a Music commentator, and the author of a dozen books on Classical music when he startled the publishing industry with this first novel, which won the Whitbread award in 2002. The novel follows a friendship between two Jewish boys, starting before the Second World War and continuing far beyond. Martin was the son of a music publisher, and his friend Dovidl was Polish. They had a typical boys' friendship; competitive and fighting one moment, but fiercely... I found the book was quite special and full of depth. The writer addressed topics like friendship, bonding, love for music, dealing with the loss of family members in a remarkable way. Despite the bunch of difficult words and sentences, the book was easy to read and kept me longing to the end. I was touched multiple times by the way Lebrecht expresses feelings by using quite remarkable metaphors. The grief the Jews must have faced during the second world war came through right into my veins. I enjoyed this story and learned a bit about Jewish culture/religion as well as what people endured in the time of the Holocaust. It was an interesting plot also. "My life was a pathetic sonata built upon an unresolved chord, infinitely tense and unrewarding. Like an amputee, I never lost sensation in the missing limb, or the ache of deprivation. Not a day passed without a remembrance of wholeness" The Song of Names' is full of musical references, and tells the story of a friendship, a betrayal and delivers the promise of a resolution to the mystery. As the book begins, Martin, the narrator, is a sixty-something uninspired classical music promoter in an... A very good book with flashes of brilliance in observations about music & musicians & Jewish traditions & faith in the wake of the Holocaust. (Lebrecht is a lifelong music critic who here tries his hand- very successfully- at fiction. There are two main characters: the son of a musicians' manager who takes over his father's business; and the young vioilin prodigy that the former's family harbors as his family perishes in the concentration camps of WWII Poland. Here, the Holocaust... Norman Lebrecht is a British social critic and the author of several novels and works of non-fiction. One of his novels, The Song of Names" has been made into a movie, some 20 years after its publication. I haven't seen the movie yet; it hasn't opened but I did see a preview, which prompted me to read the book. "The Song of Names" is a book about the Holocaust, with a personal twist. It's the story of a young Polish Jewish genius violinist who is brought to London in the summer of 1939 by his... I was stoked to read this book-the review I read of it made it sound amazing. However, I was disappointed. I didnt even read it all the way through-I stopped and scanned. Sometimes I judge a book by how long it takes me to get through it: if I cannot put it down, or if I am savoring every chapter, turning the pages slowly, or if I am starting it over again to make it last are all indicators that it is a great book! None of this happened with this one. In fact, it was the opposite criteria that... Two Jewish boys befriend each other; one, Martin, is well off but feels like an outcast - he is very unhappy and lonely, is pudgy, and has a stutter. The other, David, is suave, confident, and is a violin virtuoso but is poor; his family is from Warsaw and sent him to study w/ a illustrious violin instructor in London when WWII interrupts all plans. He moves into a spare room w/ David's family, promoters of classical music. The two boys grow very close, both feeling like outcasts in different... Low 2. There is a poignant and very moving explanation behind the title of this book but unfortunately the author has not woven this idea into a novel which really captures the attention of the reader. The protagonist, Martin Simmonds, fails to engage the readers interest, while the all-too brief appearance and disappearance of the mysterious figure of Dovidl, the Polish violin prodigy who enters the home of the protagonists family during World War II, fleetingly elevates the novels appeal... I have to say that I didn't really enjoy this book. The story itself is a good one, but it just wasn't told well. I was bored most of the time and I didn't feel sympathy for or even like any of the characters, except perhaps the wife who was only a very minor character anyway. The story wasn't told chronologically which made especially the beginning quite boring. When I found out what the "Song of Names" actually was, it was a bit heart-stopping, but that was one of the few touching moments in... I think this book tries to be too many things. Some of them (a story of Jewish life and inter-communal pressures, an interesting discussion of class in Britain, a look at xenophobia during the war in Britain) it does well. Others (a story about likable people who do bad things or blame others for their problems) it doesn't do in such a winning manner. Overall, enjoyable. Would I read it again or recommend it? Not unless I knew a Yiddish speaking prodigy who'd relate. I thought this was excellent. I really enjoyed the writing, which had that dry, subtle, British wit. I also found the story interesting. The Jewish angle was refreshingly neither unduly negative nor ignorant. I'm looking forward to a good book club discussion, and I actually recommended it to the YIOP book club as well. A very good read indeed. Lebrecht has taken back and forth in time to good effect, keeping us constantly engaged with an excellent narrative. His knowledge of the world of classical music and the Jewish faith is well-used without any obvious parading of research and knowledge for its own sake. Highly recommended. As a classically trained musician I absolutely loved the musical descriptions in this book- the story itself was fascinating - loved this book! I feel that the author of this book has never heard of George Orwell's 5 Rules For Effective Writing, which includes the rule that one should never use a long word when a short one will do. The main characters in this book feel like they've swallowed dictionaries as small children and are spending the rest of their lives regurgitating them in long, philosophical preponderances (yes, I can play this game too. Tiring, isn't it. The children/teens are certainly the most well spoken I've ever come... This is an engrossing read, full of observations, witticisms and poignant truths. The plot is very engaging. Unfortunately, the narrator is a narcissistic cynic and not likeable- it is hard to rejoice in his successes or sympathize with his failures. So the wonderful inventions of the author in the plot, characters and settings lose much of their power in the dry and distant tellings of the narrator. Overall a worthwhile read but it leaves you a little cold. Read this book over 5 years ago. Fascinated by the inner world of musicians and the religious traditions of Judaism this was a perfect choice. However, so much more was found in this book. I often return to it in my thoughts. To the fragility of friendship between two boys and the brotherly love and the sense of calling. Very emotional and in the end, devastating. This book was all over the place and the writing style was not for me I tried to get into it but I just couldnt. This book could have definitely gone places and it just didnt it just pretty much stayed flat until the very end. Well written with a twist. Clever way of telling the story. Sagged in the middle. Read it because of movie publicity, glad I did. Lots of music information, like taking a very interesting classical musical course. Interesting and unique story. I didnt feel really connected to any of the characters, but did feel I was part of the story. Great read for classical music lovers, unique story with a Jewish historical background. Interesting twist at the end. Good plot, well-written but I was handicapped by not finding any of the characters the least bit likeable - hence 3 stars. I simply loved this book. Great story telling, interesting characters etc. I did like the contrast between traditional Jewish culture, our "modern" world and world of classical music. Martin is a boy living with his parents in pre-WWII London when another boy, David, a refugee from Poland, comes to lives with them. David is a musical prodigy, and Martin's father is in the business of representing musicians. Then, years after he has first arrived, after David has long been considered one of the family, and Martin's closest friend, he disappears. It happens on the day of his musical debut. Years later, when Martin is in his sixties, he believes he may have found out what... It was focused on the Jewish history of England during and after World War 2, first of all. It was also about the musical side of the world, I guess it focuses more on the violinists, so if youre a musical person, you would be interested with this book. The book taught me about some aspects of the religion, and the musical world, and it continued to interest me. Martin Simmonds is the narrator and it is his point of view/story that the whole book is about. The book begins with his elderly self... Martin L. Simmonds is the underachieving son of a music manager whose life changes forever when a Polish violin prodigy comes to live with his family during the World War II. But Dovidl's family perishes in the Holocaust, and Dovidl becomes more a part of the Simmonds family than Martin has ever felt. The two become like brothers, but on the day of his great public violin debut, Dovidl disappears, leaving the Simmonds family in a shambles and Martin without a sense of direction or hope. The... I struggle with rating books. because a number system never quite seems to do justice to the book. It is a beautiful novel, in many ways. The prose gorgeous. However, I just couldn't ever love, or even care that much, about the characters. something that is normally easy for me. They were all just so unbelievably self-involved, and not in an endearing way. While a story, in many ways, about childhood boy friendship. the characters just never seemed to really love one another; much more... Two Jewish boys befriend each other; one, Martin, is well off but feels like an outcast - he is very unhappy and lonely, is pudgy, and has a stutter. The two boys grow very close, both feeling like outcasts in different...
There have been many films about the Holocaust covering it from many different angles so a new film must be in the excellent category because 'good' isn't good enough and though "The Song Of Names" has some interesting sections it has too much working against it. One of the interesting parts is the name of the film itself and if there really is a song of names and after some research, I have to do more research because I haven't found a definite answer yet! The screenplay by Jeffrey Caine, based on a novel by Norman Lebrecht, goes back and forth from the 1930s to the 1980s with 3 different actors playing the 2 main characters Davidl Rapopart and Martin Simmonds when it could have easily been done chronologically. The story is about a 12-year-old violin protege, Davidl who is brought from Poland to England by his father hoping to find a place for him to escape from the nazis. A music publisher, impressed by the boy's talent, agrees to take him in and after a minor skirmish with the publisher's son who is a couple of years younger, the 2 become fast friends. At the age of 21 Davidl is to give his musical debut completely subsidized by the publisher but never shows up and has disappeared. The film then follows Martin as he looks for his friend and tries to find out why he disappeared. There are many awkward scenes and some that take your breath away such as the one where Martin and his wife walk through Treblinka, a Nazi death camp, where tall, standing stones memorialize the dead. Some in the audience may not be aware that Davidl having a bar mitzvah means he is now a man at 13. The musical moments shine while it is hard to really rate the performances due to the going back and forth through the decades. "The Song Of Names" is a good movie but not quite good enough to attract enough of an audience.
In this highly entertaining and accomplished first novel by a well-known English journalist and music critic, two men who became friends as children in London during WWII are reunited after 40 years. In 1939, nine-year-old Martin Simmonds meets Dovidl Rapoport, a violin prodigy the same age. Martin's father is a music impresario, and when Dovidl is sent by his Polish parents to study in England, he offers the boy lodging in his own home. Dovidl and Martin quickly become best friends. Dovidl's parents perish in the Holocaust; then, in 1951, Dovidl—his name changed to the more palatable Eli—is about to embark on a career as a concert virtuoso when he disappears on the day of his debut. Martin becomes obsessed with his friend's disappearance, and after decades of searching finally finds him in a dreary town in the north of England. Lebrecht's deep knowledge of music, his insights and his verbal inventiveness enliven the book (describing two awkward professors, he says they "stand out like frayed cuffs on a funeral suit. However, the novel drags in the middle with the backstory of the two boys living through the blitz; this is material that has been presented elsewhere and in greater depth. Also, there's no real mystery in unraveling either the location or identity of Rapoport. Simmonds's supposedly epic quest ( I am consumed by thoughts of finding him" is over in less than two days, and it's a letdown for the reader not to be able to sift through tantalizing clues. These shortcomings aside, this is a confidently written and engaging first novel by a talented writer. (Feb. ) Reviewed on: 11/24/2003 Release date: 02/01/2004 Genre: Fiction Compact Disc - 585 pages - 978-1-61573-558-7 Book - 1 pages - 978-1-61573-559-4 Prebound-Sewn - 978-1-4177-2509-0 Open Ebook - 181 pages - 978-0-307-42938-4 Hardcover - 311 pages - 978-0-7553-0094-5 Show other formats FORMATS.
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