release date Movie The Rhythm Section
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Columnist: heather ann hawley
- resume=A woman seeks revenge against those who orchestrated a plane crash that killed her family
- Genre=Action
- 6,1 / 10
- 109m
- year=2020
- Score=1938 Votes
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I can imagine chef from South Park singing over this xD
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When he goes inverted over the top though. in my head I am always like damn thats sick
The Rhythm Section Theatrical release poster Directed by Reed Morano Produced by Barbara Broccoli Michael G. Wilson Written by Mark Burnell Based on The Rhythm Section by Mark Burnell Starring Blake Lively Jude Law Sterling K. Brown Music by Steve Mazzaro Cinematography Sean Bobbitt Edited by Joan Sobel Production company Global Road Entertainment Eon Productions Danjaq LLC Ingenious Distributed by Paramount Pictures Release date January 31, 2020 (United States) Running time 109 minutes Country United Kingdom United States Language English Budget $50 million [1] Box office $2. 8 million [2] The Rhythm Section is a 2020 American action drama film directed by Reed Morano and written by Mark Burnell, based on Burnell's novel of the same name. [3] The film stars Blake Lively, Jude Law, and Sterling K. Brown, and follows a grieving daughter who sets out for revenge after discovering the plane crash that killed her family was no accident. The Rhythm Section was released in the United States on January 31, 2020, by Paramount Pictures. Premise [ edit] Stephanie Patrick is a woman who seeks to uncover the truth behind a plane crash that killed her family three years earlier. [1] Patrick was also meant to be on the flight. After she discovers that the crash was not accidental, she embarks on a mission to track down those responsible by assuming the identity of an assassin. [4] Cast [ edit] Blake Lively as Stephanie Patrick Jude Law as Iain Boyd Sterling K. Brown as Marc Serra Max Casella as Leon Giler Daniel Mays as Dean West Geoff Bell as Green Richard Brake as Lehmans Raza Jaffrey as Keith Proctor Tawfeek Barhom as Reza David Duggan as David Patrick Production [ edit] On August 16, 2017, it was reported that Paramount Pictures had acquired the rights to the film. [5] It has a production budget of around $50 million and is produced by EON Productions, the film company known for producing the James Bond films. [1] Principal photography on the film began in December 2017 in Dublin, Ireland. [6] Production was halted temporarily after Lively was injured on the film set, with filming scheduling to begin again in June. [7] Sterling K. Brown joined the film, as production resumed in Spain in mid-2018. [8] In July 2018, the film was shot in Almería with Law and Lively. [9] [10] Release [ edit] The film was originally scheduled to be released on February 22, 2019 but was pushed back to November 22, 2019 following Lively's on-set injury, and later again to January 31, 2020. [11] [12] Reception [ edit] Box office [ edit] In the United States and Canada, the film was released alongside Gretel & Hansel, and was originally projected to gross $9–12 million from 3, 049 theaters in its opening weekend. [13] However after making just $1. 2 million on its first day (including $235, 000 from Thursday night previews), projections were lowered to $3 million. [14] It went on to debut to just $2. 8 million, marking the worst opening weekend ever for a film playing in over 3, 000 theaters. [15] Critical response [ edit] On review aggregator Rotten Tomatoes, the film holds an approval rating of 33% based on 110 reviews, with an average rating of 4. 74/10. The website's critical consensus reads: "Blake Lively delivers an impressive lead performance, but The Rhythm Section plods predictably through a story that could have used some flashier riffs. " [16] On Metacritic, the film has a weighted average score 44 out of 100, based on 35 critics, indicating "mixed or average reviews". [17] Audiences polled by CinemaScore gave the film an average grade of "C+" on an A+ to F scale, and PostTrak reported it received an average 2. 5 out of 5 stars, with 35% of people saying they would definitely recommend it. [15] Writing for Variety, Peter DeBruge stated that Blake Lively–unlike the protagonists in Atomic Blonde, Red Sparrow and La Femme Nikita –displayed "near-incompetence in the face of danger [that] makes her relatable in ways very few cinematic assassins have ever been. " [18] References [ edit] ^ a b c Galuppo, Mia; Kit, Borys (January 29, 2018). "Blake Lively Spy Thriller 'The Rhythm Section' Suspends Production (Exclusive)". The Hollywood Reporter. Retrieved December 15, 2018. ^ "The Rhythm Section (2020)". Box Office Mojo. IMDb. Retrieved February 2, 2020. ^ "Reed Morano: Production break on 'The Rhythm Section' was a 'blessing in disguise' for Blake Lively thriller". Yahoo. Retrieved December 15, 2018. ^ Busch, Jenna (January 29, 2018). "The Rhythm Section: Blake Lively Film Shuts Down Production".. Retrieved December 15, 2018. ^ Jr, Mike Fleming (August 16, 2017). "Paramount Lands Blake Lively Spy Thriller 'The Rhythm Section' By 007 Producers & IM Global". Deadline. Retrieved August 17, 2017. ^ Busch, Jenna (December 4, 2017). "The Rhythm Section: Blake Lively Injured on Set".. Retrieved December 6, 2017. ^ Galuppo, Mia (December 4, 2017). "Blake Lively Injured on Set of 'The Rhythm Section ' ". Retrieved December 31, 2017. ^ Kit, Borys (May 31, 2018). "Sterling K. Brown Joins Blake Lively ian 'Rhythm Section' as Spy Movie Resumes Production (Exclusive)". Retrieved May 31, 2018. ^ "El rodaje de 'The rhythm section' llegará a Almería a finales de junio". Europa Press (in Spanish). Almería. 21 February 2018. Retrieved 3 July 2018. ^ EFE (7 November 2017). "Almería acogerá el rodaje de 'The Rhythm Section' con Jude Law y Blake Lively". Ideal (in Spanish). Almería: Corporación de Medios de Andalucía, S. A. Retrieved 3 July 2018. ^ Donnelly, Matt (January 25, 2019). "Blake Lively's Action-Thriller 'Rhythm Section' Moves to Thanksgiving (EXCLUSIVE)". Variety. Retrieved January 25, 2019. ^ McNary, Dave (August 24, 2019). "Blake Lively's 'Rhythm Section' Moved Back to 2020". Retrieved August 24, 2019. ^ Jeremy Fuster (January 28, 2020). " ' The Rhythm Section' Arrives During Super Bowl Slump Weekend for Box Office". TheWrap. Retrieved January 29, 2020. ^ Dave McNary (January 31, 2020). "Box Office: Blake Lively's 'Rhythm Section' Opens Quietly With $235, 000 on Thursday Night". Retrieved January 31, 2020. ^ a b Anthony D'Alessandro (February 2, 2020). " ' Bad Boys For Life' Scores Over Super Bowl Weekend With $17M+; 'Rhythm Section' Is A Mess". Deadline Hollywood. Retrieved February 2, 2020. ^ "The Rhythm Section (2020)". Rotten Tomatoes. Fandango. Retrieved February 1, 2020. ^ "The Rhythm Section Reviews". Metacritic. CBS Interactive. Retrieved February 1, 2020. ^ ‘The Rhythm Section’: Film Review Peter DeBruge, Variety, January 29, 2020 External links [ edit] The Rhythm Section on IMDb.
The Rhythm sections. Grace Vanderhaal couldn't resist have a ukulele in her movie lol. Where is the alien face, we all came for him. I saw him at The Stand in NYC before he was announced as a SNL feature. Was funny then, still funny now.
The rhythm section movie soundtrack
Director Reed Morano isn’t interested in delivering what we’ve seen before, or hitting the comfortable beats of what has come to define the espionage-action film. The Rhythm Section, written by Mark Burnell, who also penned the novel of the same name, had all the makings of a new spy franchise for Paramount and EON Productions, the producers behind the enduring Mission: Impossible and James Bond series, respectively. With three other books in the series, a modest production budget of $50 million, a stellar performance from Lively and a woman in the director’s chair, The Rhythm Section seemed like the perfect opportunity for those who have been making noise for the past several years about the next Bond being a woman and calling for new heroines unconnected to comic book IP. Yet the critical score for the film on Rotten Tomatoes sits at 32 percent, and it took in a dismal $2. 8 million over opening weekend. Neither the critical thrashing the film received nor the lack of box office support from audiences is deserved. But both are reminders that for as much as critics and audiences tend to want stories that are new and break the rules, they seem to reject the films that do so at a frequency that’s nothing short of alarming. We’ve come to expect the spy film to be sleek and sexy, populated with gadgets, physics-defying car chases, expertly choreographed combat, and as much sex appeal as can be squeezed into a PG-13 movie. The genre has typically been male dominated, and even the female-led films La Femme Nikita (1990), The Long Kiss Goodnight (1996), Salt (2010) and Atomic Blonde (2017) are often only validated by how much they share with James Bond, Ethan Hunt, Jason Bourne and John Wick. One of the most prevalent criticisms about The Rhythm Section is its pacing, which, quite deliberately, follows its own rhythm. For as often as Hollywood espionage films are dominated by fast-paced sequences that make long run times forgiving with carefully structured action and set pieces, the genre is just as defined by ex-MI6 agent and The Night Manager author John le Carre and his psychological and morally ambiguous protagonists as it is by the bombastic wish fulfillment of Ian Fleming's 007. The Rhythm Section is far more interested in Stephanie’s internal and moral struggles than it is in positioning her as a one of a kind badass. Familiar elements of the espionage movie are introduced in the film and then turned on their head. Stephanie’s training gives her just enough to get by, and her fighting skills are unrefined and ugly. Her arsenal is simple, with gadgets consisting of nothing fancier than an inhaler with a disorienting gas and a knife disguised as a hairbrush, neither of which get proper use. Her sex appeal is used as a means of transaction, no sexier than that of her former life as a prostitute. And the film’s car chase is one of collateral damage, close calls, and not a single smooth turn in sight. Even Stephanie’s missions are largely botched incidents she barely makes it out of alive. There’s nothing sleek or sexy about the spy game in The Rhythm Section; every aspect of Stephanie’s mission goes to show just how grueling and brutal this occupation is. While the moral complexities, pacing and R rating put Morano’s film in conversation with another unfairly dismissed spy film, Red Sparrow (2018), Stephanie’s mission and skill set is even further stripped of glamour than the world of that film. The Rhythm Section is the Blue Ruin of espionage films. Jeremy Saulnier’s film scraped the revenge film down its bones, offering insight into just how hard getting vengeance is, and just how much effort, time and ugliness it takes to kill a man. The Rhythm Section, in its deconstruction of the spy film, exists in a similar head space, one that doesn’t promise glory, satisfaction or heroism, only hurt. Producer Barbra Broccoli, along with her brother Michael G. Wilson, has been associated with the Bond franchise all her life. Her father, Albert R. “Cubby” Broccoli, was the man responsible for bringing Bond to the screen with Dr. No (1962). This is all to say that she knows the character better than anyone, and the spy genre is in her blood. When asked about the possibility of a female Bond in October 2018, Broccoli said, “He’s a male character. He was written as a male, and I think he’ll probably stay as a male. And that’s fine. We don’t have to turn male characters into women. Let’s just create more female characters and make the story fit those female characters. ” These comments, naturally, sparked some debate, but most agreed with Broccoli’s sentiments. Yet here we are, a little over a year later, and we have our female spy character, produced by Broccoli and Wilson in a film that doesn’t position the character as a Bond knock-off, but one with her own agency and unique window into the world of M16, and it seems few care. The problem with The Rhythm Section isn’t quality, and despite reviews that seem all too eager to dismiss what’s at hand, plenty of films have overcome the tomato splats to become box office success stories. While the film beats to its own drum, it’s plagued by the same issue that plagued The Long Kiss Goodnight, Salt, Atomic Blonde, and Red Sparrow and suffocated their franchise potential. None of these characters are based on popular IP or can be evaluated in the context of a beloved franchise. There’s little doubt that Black Widow will be a success in May, given that it has Marvel Cinematic Universe behind it and thus the investment of critics and audiences. And if Bond were to be a woman in the future, there’s little doubt that despite the raging from social media that would happen beforehand, people would see it. It’s even worth a wager that if Moneypenny (Naomie Harris) or Nomi ( Lashana Lynch) received spin-offs following No Time to Die, they would fare much better than The Rhythm Section. Inevitably, when the year reaches its end and discussions about a Black Widow sequel emerge, with the usual suspects complaining about a lack of new IP, and when the search for a new Bond begins, and the think pieces start suggesting the best actresses for the role, and when Hollywood doesn’t see a reason to greenlight theatrical mid-budget action movies with women that aren’t based on comic characters, think back on The Rhythm Section, think back on Red Sparrow, and think back on Atomic Blonde. We see the same lack of enthusiasm for new characters and new perspectives every year, despite the noise that suggests otherwise, and we’ll likely see it again and find ourselves having this same discussion. The Rhythm Section was left in the cold, and still, the beat goes on.
The rhythm section movie review. The Rhythm section 8. The Rhythm section 508. They shouldve worn their shirts inside out when they were going in circles 😏. I can't believe the latest two Terminator movies make Salvation look great. Moral of the story: NEVER have kids.🤗😂. Looks great! Glad to see Tim Robbins.
The rhythm section clip. The rhythm section song. The rhythm section movie theater release. Class great review. The rhythm section. YESSS! Definitely watching this movie. January 29, 2020 9:00AM PT The plot may be boilerplate in this female-driven revenge thriller, but Blake Lively sells it, playing an action hero who fights like a real person: badly. It’s a wonder that Stephanie Patrick makes it to the end of “ The Rhythm Section ” alive. Normal people tend not to survive the kind of sophisticated revenge mission that snaps Stephanie out of her depression and into action-hero mode in Reed Morano ’s dark, broody and unexpectedly human payback thriller, which stars Blake Lively as a more-motivated-than-coordinated Post Traumatic Suffering Dispenser. Lest you fear any mention of her survival constitutes a spoiler, consider this: The movie was adapted from the first of four pulpy Stephanie Patrick novels written by Mark Burnell, so of course she doesn’t die. But she comes awfully close on several occasions, and her near-incompetence in the face of danger makes her relatable in ways very few cinematic assassins have ever been. Paramount is opening the movie in January, the month where Liam Neeson is typically the one to do this kind of dirty work. Lively is hardly the actor’s obvious substitute, though the character she plays — a rock-bottom junkie prostitute — absolutely convinces she has nothing to lose. Actually, since Burnell’s novel was optioned by Eon, the production company behind the James Bond franchise, some have wondered whether Stephanie Patrick’s supposed to be some kind of gender-flipped 007. (No, says Bond custodian Barbara Broccoli. ) From the very first scene, audiences should realize that they’re watching a very different type of character. In many ways, she’s even less like “Atomic Blonde, ” in which Charlize Theron’s meticulously choreographed, unerringly lethal fighting style is fun to watch but pure fantasy. Stephanie, by contrast, panics under pressure. She’s a bad shot, and an even worse driver. In hand-to-hand combat, she gets thrown around, battered and very nearly killed. Multiple times. The movie begins in Tangiers, where Stephanie has gone to eliminate one of the men responsible for the death of her family. (They died in an airplane bombing, and given the spectacle that might have provided, it’s a wonder the movie doesn’t start there. But then, Burnell adapted the novel himself, so he must have had his reasons. ) So, in the amuse bouche opener, Stephanie creeps into his home and points her gun at the back of his head. But she can’t bring herself to pull the trigger. Could you? “ The Rhythm Section ” features lots of terse, no-nonsense dialogue but some pretty corny voiceover — like the howler Lively’s obliged to recite to explain the film’s title. Standing there in silhouette, her weapon extended, Stephanie’s all jitters. But that’s a much more interesting way to approach her first hit anyway. The only person obliged to be a consummate professional here is Morano, a former DP who helmed the first three episodes of “The Handmaid’s Tale, ” effectively setting the tone for the hit Hulu series. This is her third feature, following tragedy-porn “Meadowland” and post-apocalyptic two-hander “I Think We’re Alone Now, ” and the assignment puts fresh demands on its director. Pulling it off means Morano’s obliged to think differently not only about action, but also about how she works with actors. This isn’t an easy role, but Lively aces it. Flashing back more than half a year earlier, the film finds Stephanie looking a lot worse for wear, with scars on her wrists and tears in her eyes. To erase the pain of the plane crash that claimed her parents’ lives, she turns tricks for smack in a squalid London flat. She’s scraping along rock bottom when an investigative reporter named Keith Proctor (Raza Jaffrey) shows up with inside information on the accident — which wasn’t an accident but an attack, he insists. According to Proctor, the authorities know who built the explosive device but have left him to walk the streets of London a free man. “Why did you come for me? ” Stephanie asks. Without missing a beat, Proctor replies, “Because you’re another victim. You’re just not dead yet. ” But a couple scenes later, Proctor’s dead, found with his throat slit in his own apartment. His flat has been art-directed to look like a serial killer’s inner sanctum, and snooping around, Stephanie manages to glean enough from his files to track down his most important source, a nameless ex-CIA operative ( Jude Law) with demons of his own. His damage is nothing compared with hers, however. Stephanie’s still addicted to drugs at this point, and Lively shows us what that looks like, twitching on top of all the trauma her character is already carrying. The psychology of how this once-promising college grad would transform herself first into such a trainwreck — all bruises and track marks, spiky hair and smoky eyes — and from there into an avenging badass is shaky, but Lively’s commitment sells it. Stephanie assumes the identity of a ruthless hitwoman, Petra Reuter (an excuse for wig changes and an attitude makeover), and reaches out to an information trafficker named Marc Serra (Sterling K. Brown) to identify the target we saw her about to eliminate in the opening scene. On paper, the rest of the film seems fairly routine: a series of setpieces against a revolving backdrop of glamorous international locations. We’ve seen it in movies like “Atomic Blonde, ” “Red Sparrow” and “La Femme Nikita. ” Those women are all sexy, self-confident killing machines. But what sets “The Rhythm Section” apart is the simple matter of identification. She’s not a natural. She freezes up, and can’t do what she was trained for. Instead of fighting, she flails wildly, hoping one of her kicks connects with her adversary’s crotch. When she gets hit, it looks like it hurts. And when her gun falls into the bad guy’s hands, she may as well be dead meat. In the end, it’s luck, not skill that keeps her alive. That’s how most of us would be in her situation. Moments later, in an impressively staged, single-take car chase, Stephanie/Petra nearly gets pushed off a cliff. And so it continues through the final showdown. It’s probably for the best that most action movies don’t unfold like this, where careful planning devolves to desperate innovation in the heat of the moment. But this is what’s meant by “visceral, ” and it works in this context — and must be an awful lot harder to pull off, behind the camera. Morano manages, and if Stephanie Patrick ever gets another big-screen mission, it’ll be interesting to see what this experience has taught her. James Bond made his way to Super Bowl LIV, debuting a new trailer for “No Time to Die. ” The footage, putting the spotlight on Daniel Craig’s British spy, promises the 25th “Bond” movie will change everything. “No Time to Die” is Craig’s fifth take on the secret agent, a role he first assumed in 2006’s [... ] Scarlett Johansson and Florence Pugh take center stage in the new “Black Widow” trailer that dropped at the 54th Super Bowl. Details are scarce on the next Marvel movie, directed by Cate Shortland, but new footage teases Natasha Romanoff’s life before she was an Avenger. “You don’t know everything about me, ” Johansson’s Black Widow says [... ] Tom Cruise has made an enemy in the newest “Top Gun: Maverick” trailer, which premiered during the 54th annual Super Bowl on Sunday. “My Dad believed in you, I’m not going to make the same mistake, ” says Miles Teller who is playing Bradley “Rooster” Bradshaw, son of Nick “Goose” Bradshaw, deceased wingman to Cruise’s character. [... ] The Sundance Film Festival is fighting a battle that’s been building for several years, and what it’s fighting for can be summed up in one word: relevance. What makes a Sundance movie relevant? In a sense, the old criteria still hold. It’s some combination of box-office performance, awards cachet, and that buzzy, you-know-it-when-you-see-it thing of [... ] When Tim Bell died in London last summer, the media response was largely, somewhat sheepishly, polite: It was hard not to envision the ruthless political spin doctor still massaging his legacy from beyond the grave. “Irrepressible” was the first adjective chosen in the New York Times obituary. “He had far too few scruples about who he [... ] After three weeks in theaters, Sony’s “Bad Boys for Life” is officially the highest-grossing installment in the action-comedy series. The Will Smith and Martin Lawrence-led threequel has made $291 million globally to date, pushing it past previous franchise record holder, 2003’s “Bad Boys II” and its $271 million haul. The first entry, 1995’s “Bad Boys, ” [... ] World War I story “1917” dominated the BAFTA film awards, which were awarded Sunday evening at London’s Royal Albert Hall with Graham Norton hosting. The wins for “1917” included best film, best director for Sam Mendes and outstanding British film. The awards are broadcast on the BBC in the United Kingdom and at 5 p. m. ].
The rhythm section trailer 2020. Shes looking Lively and colorful. A serviceable picture from the 007 stable presided over by producers Michael G Wilson and Barbara Broccoli, and adapted by author Mark Burnell from his own bestselling novel series about the assassin Stephanie Patrick, whose deadly vocation was forged by vengeful rage at the terrorists who wiped out her family in a plane bombing. Reed Morano directs and Blake Lively plays Patrick herself. The movie is an interesting mix of Le Carré/Ludlum locations, invoked with jittery, paranoid urgency – with a little bit of Luc Besson’s film Léon (1994), which featured grizzled Jean Reno instructing young Natalie Portman in the hitperson’s trade. The Rhythm Section gets off to a bit of a dodgy start, with Stephanie’s initial life rather absurdly sketched as that of an angry, grief-filled person who has supposedly drifted into prostitution and drug abuse. (Stephanie’s heroin addiction – and her cigarette addiction – miraculously vanish as the action heats up. ) But when a journalist called Proctor (Raza Jeffrey) puts her in the picture about how her family died, she sets out on a mission to find the killer, and this puts her in touch with maverick MI6 tough guy Boyd ( Jude Law), who lives in the Scottish Highlands, and shadowy US contact Serra (Sterling K Brown). Lively’s scenes with Law are very watchable, as he tutors her in fanatical fitness and hand-to-hand combat, teaching her to stay calm and let her measured heartbeat and breathing provide the all-important physical “rhythm section” needed as background music for the bravura solo of murder. The rapport between Law and Lively allows the movie both to relax and pick up the pace. Morano puts together good fight scenes, robust stunt work and tasty car chases. It’s destined to be viewed on a million long-haul flights, but it works perfectly well as a thriller. • The Rhythm Section is released in the UK and in the US on 31 January and in Australia on 20 February.
The rhythm section gatlinburg tn. The rhythm section review. The rhythm section movie release date. The rhythm section cast. The rhythm section movie cast. Them: if you want to survive then stay quiet and don't make a sound Introverts: in their head) i see this as an absolute win. In that one scene where Blake lively has the red hair did she remind anyone of silk spectre. She would kill it in that role. Miss you 💔. The Rhythm section de recherches. The rhythm section movie reviews. The rhythm section reaction. The rhythm section box office. Critics Consensus Blake Lively delivers an impressive lead performance, but The Rhythm Section plods predictably through a story that could have used some flashier riffs. 33% TOMATOMETER Total Count: 113 43% Audience Score Verified Ratings: 324 The Rhythm Section Ratings & Reviews Explanation Tickets & Showtimes The movie doesn't seem to be playing near you. Go back Enter your location to see showtimes near you. The Rhythm Section Videos Photos Movie Info Blake Lively stars as Stephanie Patrick, an ordinary woman on a path of self-destruction after her family is tragically killed in a plane crash. When Stephanie discovers that the crash was not an accident, she enters a dark, complex world to seek revenge on those responsible and find her own redemption. Rating: R (for violence, sexual content, language throughout, and some drug use) Genre: Directed By: Written By: In Theaters: Jan 31, 2020 wide Runtime: 109 minutes Studio: Paramount Pictures Cast News & Interviews for The Rhythm Section Critic Reviews for The Rhythm Section Audience Reviews for The Rhythm Section The Rhythm Section Quotes News & Features.
The Rhythm section jugement. Omg, heard this on the trailer and I loved it. Finding out it was you guys was even better. The rhythm section rating. The rhythm section movie trailer. The rhythm section soundtrack. The rhythm section where did you sleep last night. The rhythm section trailer blake lively. This is the hollywood version of In the Fade. And like anything Hollywood, it's a terrible version of the narrative with stylistic choices as hollow as its version of the character. smh. Go watch In the Fade instead lol.
The rhythm section book summary. The rhythm section band. Yo Chris, you should watch Mr Robot, I really think you would love it. Ralph and Alex (from IHE & Ralphthemoviemaker) love it too. Them: A Quiet Place Part II Me, an intellectual: A Quieter Place. The Rhythm section. This is a Netflix movie. I'm shocked as I thought it was going to be in the theaters.
His wife is a ho. The rhythm section book. Your hair looks AMAZING. This trailer makes me want to build a tower so's I can buzz it.
I've watched this numerous times over the years and it never loses it's impact. Top notch writing, acting and production. Would make a great mini series if not a full length film. Calm down Salt. The rhythm section trailer reaction.
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